Author of Hopeful Speculative Fiction
This week, I examine how to write human senses. I walk through the five basic human senses, focusing first on sight, hearing, and touch, which are the most common in writing (and our lives), looking at best practices in writing them, plus analyzing ways that the senses can be damaged or altered to create new … Read More “Writing 202: Writing Human Senses” »
This week, Vivian and I continue our exploration of character from our character series by looking at the various defining features of your characters, including abilities (physical, mental, and fantasy/scifi), culture, position in society, beliefs, morality, and relationships (romantic/sexual, friendships, families). We finish by returning to Bob, our character that we’re developing throughout this character … Read More “Character 104: Defining your Character” »
This week, I examine practical ways of using fictoscience, which is a method of incorporating made up words in a way that makes sense and doesn’t devolve into technobabble. I provide two scenes as well as lists of suffixes that I used to create the various words in the new vocabulary of the world of … Read More “Practicum: Fictoscience in Fantasy” »
Enjoy the cover reveal for Dance of the Empire, a fantasy novel by Anne Winchell and the fourth book in the Imperial Saga! Dance of the Empire The Empire of the Seven Continents remains connected through a robust exchange of goods and cultures. Under their Emperor, peace has prevailed, but discontent brews. Princess Tahirah is engaged … Read More “Cover Reveal: Dance of the Empire” »
Have you ever heard the phrase “show, don’t tell” in relation to emotions? Instead of saying “Bob was mad,” my latest blogpost on writing emotions discusses ways to show emotion. First, I introduce the emotion wheel that I’ll be using in this post and future posts on emotions. For this post, I focus on the base emotions … Read More “Writing 201: Conveying Without Saying” »
When telling stories, there’s always the story as it appears from the outside as told explicitly through the text, but what about under the surface? Stories rely on unspoken knowledge and truths, and this blogpost defines and demonstrates subtext in fiction so that you can see how exactly to use it to your best advantage. … Read More “Writing 201: Subtext” »
Let’s face it, there’s a lot that goes into telling a good story. But one thing that can really make or break it is the dialogue. Throughout this explanation of dialogue and how to write it, I provide a space opera scene written in different iterations to show the strategies for strengthening your dialogue. It … Read More “Writing 102: Dialogue” »
When you write, conflict forms the core of the overall story and each scene. This walkthrough of strategies of techniques discusses what conflict actually is and how to talk about it in stories. What does a character want, and what prevents that? Conflict! Pacing is a huge part of conflict, since you want to balance … Read More “Writing 102: Conflict” »
Designing magic systems is an essential part of fantasy stories, and I wrote a detailed description of how to go about this, starting with genre and thematic questions, moving to hard versus soft magic, and then into the magic itself: where does it come from and how do you control it? Since this is published … Read More “Writing 201: Magic Systems” »
The Heart of the Guardian, a fantasy novel by Anne Winchell and the third book in the Imperial Saga, has been published on Amazon for paperback and Kindle. Buy Paperback Buy eBook The Heart of the Guardian Growing up, Ari depended on his parents for help navigating the dangerous world after the Transition. As he … Read More “Heart of the Guardian Out Now!” »
